ART, CULTURE AND SOCIETY: Provocations, interventions and investigations
Synopsis
This work was developed as a continuation of the presentation given by Barrios-Mendoza (2018) at the First Interdisciplinary Arts Day, entitled: "An Expanded Sense of Transduction in Contemporary Art." In it, the need to study in greater depth the use of transduction processes in art was exposed, since, although they have been used repeatedly by different artists around the world, reflection on these processes has not enjoyed the same popularity as their practical applications.
On this occasion, the main objective is to approach a definition of transduction in art, based on a term coined by Robert Mallary (1969), transductive art, 50 years ago, as well as on some elements of Gilbert Simondon's philosophical project.
Chapters
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Foreword
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An expanded sense of transduction in contemporary art50 years after the term transductive art, by Robert Mallary
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The life of the work of artNomadic plants from fork of the gaze
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Organolepsy, catwalk and organ auctionA performance by Felipe Osornio. Its aesthetic and political dimension according to the postulates of J. Ranciére.
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Spinning memory, building resilience and empowerment
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A counterpedagogy of cruelty through clothing in feminist artivism
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I have to do something to make the baby feel love!The significance of maternal singing to children in early childhood
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Socio-semioticsA perspective of analysis of the television message as a cultural element
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Formal in non-formal educationReflections on the current situation of non-formal arts education in Mexico
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The Making of as a didactic resource for the autonomous learning of filmmaking
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Window to SoundFrom radio to art in the paradigm of situated cognition
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This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
